Watch the videos and select the shots that stand out to you as visually interesting and 'meaning' something related to character or mood of the film
Make notes on commentary and shard in groups of 3
https://m.youtube.com/watch?v=O3EnnBDgMww
Children of men
Starwars IV
Shaun of the Dead
Reservoir Dogs
Lord of the Rings
Atonement
Cowboys and Aliens
Citizen Kane
Mission Impossible
Cloverfield
Inception
Zombie Land
Kill Bill Vol. 1
The Other Guys
Limitless
Techniques:
Establishing Shot
Long Shot
Doggie Cam
Steady cam
Pan
Fast Cut/Rapid Zoom
Low Angle Shot
Crane Up
Dutch Angle
POV
Special Effects
Slow Motion
Panoramic Traveling
Horizontal Traveling
High angle
Tilt
Limitless Zoom
Camera Split
Starwars IV
Shaun of the Dead
Reservoir Dogs
Lord of the Rings
Atonement
Cowboys and Aliens
Citizen Kane
Mission Impossible
Cloverfield
Inception
Zombie Land
Kill Bill Vol. 1
The Other Guys
Limitless
Techniques:
Establishing Shot
Long Shot
Doggie Cam
Steady cam
Pan
Fast Cut/Rapid Zoom
Low Angle Shot
Crane Up
Dutch Angle
POV
Special Effects
Slow Motion
Panoramic Traveling
Horizontal Traveling
High angle
Tilt
Limitless Zoom
Camera Split
How would you frame a shot up show a character is intense or intimidating?
How would you frame a shot to show a character is lonely or isolated?
Which angle suggests a character is powerful and dominant
Which single suggests a character is inferior or vulnerable
How would you disassociate a character from the location they are in using depth of field?
What colour tint and lighting would you use to create a cold, emotionless and dull atmosphere?
What angle conveys a character or event is twisted or disturbed?
How would you move the camera to suggest the world revolves around this character - or that they are disoriented by the impact of the location?
How do you create a sense if realism and involve the audience in the scene?
How would you compose a shot to show a close relationship Or intimacy between 2 characters?
What framing would you use to create mystery and control a 'reveal'
How would you use blocking and composition to show a character is afraid or intimidated by an object (say receiving a phone call?)
How do films slowly or romantically use camera movement to drop the audience into the scene?
How would you move the camera to show the audience the character has power?
How do you use angle and movement to show defeat, tragedy, loss or death?
What would you be suggesting by having the character or scene in the middle of the frame/symmetry?
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